1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 33 34 35 36 37 38 39 40 41 42 43 44 45 46 47 48 49 50 51 52 53 54 55 56 57 58 59 60 61 62 63 64 65 66 67 68 69 70 71 72 73 74 75 76 77 78 79 80 81 82 83 84 85 86 87 88 89 90 91 92 93 94 95 96 97 98 99 100 101 102 103 104 105 106 107 108 109 110 111 112 113 114 115 116 117 118 119 120 121 122 123 124 125 126 127 128 129 130 131 132 133 134 135 136 137 138 139 140 141 142 143 144 145 146 147 148 149 150 151 152 153 154 155 156 157 158 159 160 161 162 163 164 165 166 167 168 169 170 171 172 173 174 175 176 177 178 179 180 181 182 183 184 185 186 187 188 189 190 191 192 193 194 195 196 197 198 199 200 201 202 203 204 205 206 207 208 209 210 211 212 213 214 215 216 217 218 219 220 221 222 223 224 225 226 227 228 229 230 231 232 233 234 235 236 237 238 239 240 241 242 243 244 245 246 247 248 249 250 251 252 253 254 255 256 257 258 259 260 261 262 263 264 265 266 267 268 269 270 271 272 273 274 275 276 277 278 279 280 281 282 283 284 285 286 287 288 289 290 291 292 293 294 295 296 297 298 299 300 301 302 303 304 305 306 307 308 309 310 311 312 313 314 315 316 317 318 319 320 321 322 323 324 325 326 327 328 329 330 331 332 333 334 335 336 337 338 339 340 341 342 343 344 345 346 347 348 349 350 351 352 353 354 355 356 357 358 359 360 361 362 363 364 365 366 367 368 369 370 371 372 373 374 375 376 377 378 379 380 381 382 383 384 385 386 387 388 389 390 391 392 393 394 395 396 397 398 399 400 401 402 403 404 405 406 407 408 409 410 411 412 413 414 415 416 417 418 419 420 421 422 423 424 425 426 427 428 429 430 431 432 433 434 435 436 437 438 439 440 441 442 443 444 445 446 447 448 449 450 451 452 453 454 455 456 457 458 459 460 461 462 463 464 465 466 467 468 469 470 471 472 473 474 475 476 477 478 479 480 481 482 483 484 485 486 487 488 489 490 491 492 493 494 495 496 497 498 499 500 501 502 503 504 505 506 507 508 509 510 511 512 513 514 515 516 517
|
) ÚÄ Ä ÜÜÛÛÜÞÛÜ ÄÄÄ Ä ( ³ ÚÄÄÄÄÄÄÄÄÄÄÄÄÄ Ü²ß ß ÞÛ ß²ÜÄÄÄÄÄÄÄÄÄÄÄÄÄÄ¿ ³ ßßßÛÜ ÞÛ ÞÛß ³ ³ : ÜÜÜÜÜ ßßßÜÜÛÝÞÛ Üß ÜßßßÜ : ) ³ Üß ÜÜÜ ßßßÜÜ ß² ÛßÜßßßßÜ Üßßß ÛÜ ßܳ . ( ÚÄÁÄÄÄÄÄÄÛ ÜÛÛÛÛÛÛÜÜ ßÜ Üß ÜÛ² Ûß ÜÛ² ÛÛ² ÛÁÄ¿ . . . ³ ÜÜÜ Û ²ÛÛßß²ÛÛÛÜ ßÜß ÛÛ² Üß ÛÛ² ÛÛ² Û ³ ) . )\._ . ³Üß Ü ßÜß Ü ßÛÛÛ ß²ÛÛ ß ÛÛÛ ÛÛÛ ÛÛ² Û ³ . _./( / \ )³Û ÛÛ² ß ÛÛ² ß²ÛÜ ÛÛÛ ÛÛÛ ßÛÛ ÛÛ² Û ³( / \ _______( ( ( ³ßÜ ßÛ²ÜÛ²ß ÜÜÛÛß ÛÛ²ÜÛÛÛ²Ü ÛÛÜÜ ÛÛ² ßÜ ³ ) ) )_______ `\_ _ ` __\³ Û ÜÛÛ²Ü ÜÜÛÛÛßß Ü ÛÛÜß ßÛ²ßßßÛÛÛÛÛÛ Û ³/ _ ' _ _/' _\___\ \ \Üß ÜÛ²ßÛÛ² ßÛÛ² ÛÛ²ÛÛ² ÞÛ² ÛÛ² Üß / / /___/_ _\_ \ \ Û ÛÛ² Ü ÛÛ² ÛÛÛ² ÛÛ² ÛÛ²Ü ÞÛ² ÛÛ² Û / / _/_ .\_ \____\_ _ \ ßÜ ß ÜßÜ ß Ü ßßÛÛ²ÜÛÛ² ßÛÛÛÜÜÛÛß ÛÛ² Û / _ _/____/ _/. `` \ ßßß ßßß ßßßÜÜÜ ßÛÛß ÛÜ ßßßÛ²ß ÜßÜ ÛÛß Û / '' \___\ /'\( . ßÜÜÜÜß ßßßÜÜÜÜß ßÜÜÜß `\ /___/ `\/³\ ) ( /³\/' .ÄÄÄÄÄ´ \ ( . ÜßßÜ ÜßßÜ ÜÛ ÜßßÜ . ) / ÃÄÄÄÄÄ. ___)____:, .`. Üß Û Û Û Üß .'. ,:____(___ ____ ) \ ) ` : Üß Û Û Û ßÜ : ' ( / ( ____ Ú)___\.'Ä\_________(ÄÄÄÄÄÄ´ ßßßß ß ßß ßßß ßßßß ÃÄÄÄÄÄÄÄ)_________/Ä`./___(¿ ³ ³ ³ ³ ³ ³ ³ ³ ³ ³ :ÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄ: ) Requirements: Notepad with terminal font or any other ascii viewer. ( `._________________________________________________________________________.' ./ ``::³ Ü ÜÜ ÜÜÜ ÜÜ ÜÜ ³::'' \. ³ Ä ÄÁÄÄ´ Û Û Û Û ÛÜß Û Û ÃÄÄÁÄ Ä ³ ³ Û Û Û Û Û Û ßÜÛ ³ ³ ³ ³ A lot has changed since 2009, when the last revision of the XviD rules was ³ ³ released. While these rules have served us well over the years, the need ³ ³ for a change has come. The weaknesses of the XviD codec have become obvious ³ ³ and as habits change the need for strict size-based releases has gone. ³ ³ After the non-retail TV scene moved to x264 the advantages of the codec ³ ³ over XviD for SD resolutions became clearer for everyone and with CRF in ³ ³ the mix, we can also ensure that the diverse array of material will get ³ ³ the most appropriate bitrates and not arbitrarily fixed sizes. So once ³ ³ again the active TV & Movie groups have gathered to bring the retail SD ³ ³ rules in line with other sections using x264. ³ ³ ³ ³ Compliance with this document is optional as of its pre date, and ³ ³ mandatory as of 2013-11-01 00:00 UTC (1383264000 unixtime) ³ ³ ³ ÀÄÂÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÂÂÄÄÂÂÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÄÂÂÄÄÂÂÄÄÄÄÄÄÄÄÄÄÄÄÄÄÂÄÙ ./' ``::³. ÛßÜ Ûßß Û Ûßß ÛßÜ Üßß Ûßß .³::'' `\. ³ Ä ÄÁÄÄ´ ÛßÜ Ûß Û Ûß ÛßÛ ßÜ Ûß ÃÄÄÁÄ Ä ³ ³ ß ß ßßß ßß ßßß ß ß ßß ßßß ³ ³ ÛßÜ Û Û Û Ûßß Üßß ³ ³ ÛßÜ Û Û Û Ûß ßÜ ³ ³ ß ß ßß ßß ßßß ßß ³ ³ [ Video ] ³ ³ 1.1) English spoken movie sources with non-English overlays in the actual ³ ³ movie footage are NOT allowed. This does not count for start/end ³ ³ credits, but for relevant movie parts. e.g. on screen locations text, ³ ³ hardcoded non-English subtitles (hardsubs) and similar occurrences. ³ ³ Foreign overlays can be present on iNTERNAL releases. ³ ³ 1.2) Watermarks, intros, outros, or any other form of defacement of the ³ ³ movie or episode are banned including during the credits. ³ ³ 1.3) Splitting the video into multiple files is not allowed. ³ ³ 1.4) Movies split into 2 discs (ie LOTR Extended) must still be pred as ³ ³ one file, assuming the movie only has start credits on D1 and end ³ ³ credits only on D2. ³ ³ 1.5) Removing credits is not allowed, and they must not be encoded with ³ ³ settings different to the main footage, except as follows: ³ ³ With sources where only credits are interlaced, you may either leave ³ ³ the credits interlaced or de-interlace the credits ONLY, but you must ³ ³ NOT de-interlace the whole footage. ³ ³ 1.6) Irrelevant material such as studio worksheets and test screens must ³ ³ be removed. ³ ³ ³ ³ [ AR/Resolution ] ³ ³ ³ ³ [ General ] ³ ³ 2.1.1) Black borders must be removed completely with cropping. Where the ³ ³ video has changing ARs, it must be cropped to the widest frame. ³ ³ 2.1.2) Height and width must be mod2. ³ ³ 2.1.3) Over/under-cropping by more than 1px is considered a technical ³ ³ flaw. It is recommended to crop the 1 pixel out. ³ ³ 2.1.4) Video AR must be within 0.5% of the original AR. ³ ³ 2.1.5) AR for all releases must be based on the actual source AR, not on AR ³ ³ listed on IMDB, cover or other sources. ³ ³ 2.1.6) In rare cases where the source AR is incorrect (i.e. bad mastering), ³ ³ a source sample and a comparison screenshot explaining how you came ³ ³ to the corrected AR is required. ³ ³ 2.1.7) The ITU-R Standard, which assumes anamorphic WS DVD as 1.82 and ³ ³ FS as 1.36, is not allowed. ³ ³ 2.1.8) Only sharp resizers such as Lanczos/Lanczos4, Spline36, or Blackman ³ ³ are allowed. Simple resizers (bicubic, simple, etc) are banned. ³ ³ ³ ³ [ BluRay ] ³ ³ 2.2.1) Width must be 720 for Bluray material. ³ ³ 2.2.2) The AR of the source must be applied to the encode, while resizing ³ ³ the resulting height to mod2. ³ ³ Examples : 1920x1080 -> 720x404 ³ ³ 1920x1040 -> 720x390 ³ ³ 1920x816 -> 720x306 ³ ³ 1920x800 -> 720x300 ³ ³ 1800x1080 -> 720x432 ³ ³ 1440x1080 -> 720x540 ³ ³ ³ ³ [ DVD ] ³ ³ 2.3.1) Sources with a horizontal resolution of 720 will be cropped as ³ ³ required and only the height must then be resized to the closest ³ ³ mod2 ensuring the correct AR, except as follows: ³ ³ - 4:3 NTSC sources (720x480) with window/pillar boxed WS content ³ ³ should be cropped by height and then resized by width. ³ ³ 2.3.2) Width must be the highest possible after crop, except for ³ ³ 4:3 NTSC sources, where the width must not exceed 640. ³ ³ 2.3.3) Resizing in a way that would cause the encode to be upscaled is not ³ ³ allowed. ³ ³ Examples (pixels after crop --> anamorphic / non-anamorphic) : ³ ³ NTSC: ³ ³ 720x480 --> 720x406 / 640x480 ³ ³ 716x478 --> 716x404 / 636x478 ³ ³ 720x460 --> 720x388 / 640x460 ³ ³ 718x362 --> 718x306 / 638x362 ³ ³ PAL: ³ ³ 720x576 --> 720x404 / 720x540 ³ ³ 716x574 --> 716x404 / 716x538 ³ ³ 720x552 --> 720x388 / 720x518 ³ ³ 718x434 --> 718x306 / 718x406 ³ ³ ³ ³ [ Framerate / Filters ] ³ ³ 3.1) IVTC or deinterlacing must be applied when required. ³ ³ 3.2) Only smart deinterlacers, such as Yadif, may be used. FieldDeinterlace ³ ³ is banned. ³ ³ 3.1) MUST be as close to original source framerate as possible. ³ ³ 3.3) In some cases PAL movies need to be IVTC'd (e.g. to 24fps). Therefore ³ ³ using a PAL source is not an excuse for lack of IVTC. ³ ³ 3.4) Hybrid sources will be left to ripper's discretion when it comes to ³ ³ IVTC, but they must explain and provide source proof for any use, or ³ ³ lack of IVTC. ³ ³ 3.5) In cases of a problematic source (e.g. PAL content on NTSC disc or ³ ³ NTSC content on PAL disc) resulting in ghosted/blended/duplicated ³ ³ frames, the video must be source restored to its original frame rate ³ ³ with restore techniques. When the result still presents consistently ³ ³ noticeable issues a vob/m2ts is required or use the INTERNAL tag and ³ ³ mention it in the NFO. ³ ³ 3.5.1) Provided that the initial release was encoded from a source which ³ ³ required restoration; a native source may be released at a later ³ ³ date. Such a release must then be tagged as NATIVE and the original ³ ³ release will not be nuked. This rule, however, does not apply for ³ ³ simple NTSC to PAL speed up releases. ³ ³ 3.6) VFR (Variable Frame Rate) techniques are not allowed. ³ ³ ³ ³ [ Container ] ³ ³ 4.1) Container must be MKV, and MKVMerge is the recommended muxer. ³ ³ Custom muxing tools are permitted; however, output must be compatible ³ ³ with standard demuxers to the same extent that files created with ³ ³ MKVMerge are. ³ ³ 4.2) Support for file streaming and playing from rars is mandatory. ³ ³ 4.3) MKV headers must be kept intact and are not allowed to be blanked or ³ ³ modified, also MKV header compression must not be enabled. ³ ³ ³ ³ [ Codec ] ³ ³ 5.1) Video codec must be H264 encoded with 8-bit depth x264. ³ ³ 5.2) x264 version used must be no more than 50 revisions from newest at pre ³ ³ time. ³ ³ You should use http://tinyurl.com/mcekcw8 as reference to check what ³ ³ the latest revision is. ³ ³ 5.3) CRF must be used: ³ ³ 5.3.1) CRF values below 19 and above 26 are never permitted. ³ ³ 5.3.2) A CRF value of 19 must be used for all sources where production ³ ³ year is 2007 or NEWER, except sporting events and as follows: ³ ³ - If at CRF 19 the resulting video's average bitrate is above ³ ³ 2000 kbps, a CRF value of 21 MUST be used. ³ ³ - If at CRF 21 the resulting video's average bitrate is above ³ ³ 1500 kbps, CRF values of 22-23 MAY be used. ³ ³ - If at CRF 21 the resulting video's average bitrate is above ³ ³ 2000 kbps, CRF value of 23-24 MUST be used. ³ ³ 5.3.3) CRF values within the 19-21 range must be used for all sources ³ ³ where the production year is 2006 or OLDER, except sporting events. ³ ³ It is the ripper's discretion to choose the most appropriate value ³ ³ from this range. Exceptions are as follows: ³ ³ - If at CRF 21 the resulting video's average bitrate is above ³ ³ 1500 kbps, CRF values of 22-23 MAY be used. ³ ³ - If at CRF 21 the resulting video's average bitrate is above ³ ³ 2000 kbps, CRF values of 23-24 MUST be used. ³ ³ 5.3.4) CRF values of 23-26 must be used for sporting events. The exact ³ ³ value to use will be left to ripper's discretion. ³ ³ 5.3.5) For TV season/volume sets the CRF value used must be the same for ³ ³ all episodes, however for a maximum of 25% of the total episodes ³ ³ different CRF values can be used to allow for variations in source ³ ³ material, compressibility etc. ³ ³ 5.3.6) Bonus complete episodes must be encoded at the same CRF value as ³ ³ the rest of the season/volume set, however the CRF value used for ³ ³ any extras like deleted scenes/bloopers/bonus scenes will be left ³ ³ to ripper's discretion. Rule 5.3.1 still applies. ³ ³ 5.4) No dupes based on source type (DVD/BD) are allowed, use INTERNAL. ³ ³ 5.5) No setting can go below what is specified by --preset slow. ³ ³ 5.6) Sample Aspect Ratio (--sar) must be square (1:1). ³ ³ 5.7) Keyframe interval (--keyint) must be at least 200 and at most 300 ³ ³ (inclusive). It is recommended to be 10*framerate (rounded up) ³ ³ (film=240, PAL=250, NTSC=300). ³ ³ 5.8) Minkeyint (--min-keyint) must be at least 20 and at most 30 ³ ³ (inclusive). It is recommended to be 1*framerate (rounded up) ³ ³ (film=24, PAL=25, NTSC=30). ³ ³ 5.9) Colormatrix must be set to source specification. If not specified by ³ ³ source, bt709 must be used for BD sources, DVD sources must use ³ ³ 'undef' (default). ³ ³ 5.10) Zones (--zones) are forbidden. ³ ³ 5.11) --output-csp must be kept at default ³ ³ 5.12) --level 3.1 must be respected. ³ ³ 5.13) Custom matrices are not allowed. ³ ³ ³ ³ [ Optional Psychovisual settings ] ³ ³ 5.14.1) Allowed parameters for --tune (optional) are film/grain/animation ³ ³ 5.14.2) --deblock ( Default : 0:0 ) ³ ³ + -2:-2 recommended for film content (--deblock -2:-2) ³ ³ + 2:1 recommended for animation content (--deblock 2:1) ³ ³ 5.14.3) --aq-strength XX ( Default : 1.0 ) ³ ³ Sets the strength of AQ bias towards low detail ('flat') ³ ³ macroblocks. Background is considered a low detail area, while ³ ³ actor's face is a complex area. A lower value than 1.0 will give ³ ³ more bitrate for complex areas. ³ ³ Recommended value : 0.6-0.9 (Example: --aq-strength 0.7) ³ ³ 5.14.4) --psy-rd xx:yy Default: 1.0:0.0 ³ ³ xx is the strength of Psy-RDO, yy is the strength of Psy-Trellis. ³ ³ Note that Trellis is still considered 'experimental', so leave that ³ ³ at 0.0 . ³ ³ Recommended value for film content xx = 0.8-1.2 ³ ³ Recommended value for animation content xx = 0.4-0.7 ³ ³ (Example: --psy-rd 0.5:0.0) ³ ³ ³ ³ [ Suggested basic command lines ] ³ ³ 5.15.1) BD: ³ ³ x264.exe --level 3.1 --crf xx --preset slow --colormatrix bt709 ³ ³ -o output.mkv input.avs ³ ³ 5.15.2) DVD: ³ ³ x264.exe --level 3.1 --crf xx --preset slow -o output.mkv input.avs ³ ³ ³ ³ [ Audio ] ³ ³ 6.1) The only allowed audio format is VBR AAC LC (Low Complexity). INTERNAL ³ ³ AC3 releases are allowed. ³ ³ 6.2) Nero and Apple encoders are recommended. FFmpeg and FAAC are banned. ³ ³ 6.3) Average audio bitrate must be between 96 and 160 kbps (inclusive) for ³ ³ stereo and between 60 and 100 kbps (inclusive) for mono. ³ ³ 6.4) MUST be STEREO for STEREO sources, and MONO for MONO sources. ³ ³ (Any audio track with identical channels is considered a MONO source). ³ ³ Dual mono is also forbidden. However this does not apply to remastered ³ ³ audio tracks for titles that may originally have been mono. ³ ³ 6.5) Audio with more than 2 channels must be downmixed to stereo, with the ³ ³ exception of INTERNAL releases. ³ ³ 6.6) Audio tracks must be kept with the original frequency as it was on the ³ ³ source: e.g. 48khz for 48khz and 44.1khz for 44.1khz. ³ ³ 6.7) AAC audio must be normalized. ³ ³ 6.8) Dual-language audio tracks are allowed for non-English material ONLY. ³ ³ 6.9) English dubbed titles without original audio track must be tagged ³ ³ DUBBED. ³ ³ 6.10) Dubbed releases are only allowed if no release with a secondary ³ ³ English dubbed audio track exists. ³ ³ ³ ³ [ Subtitles ] ³ ³ 7.1) Only Vobsub and accurately OCR'd srt are allowed. ³ ³ 7.2) Subtitles are required for non-English movies and movies with ³ ³ non-English spoken parts. ³ ³ 7.2.1) If you chose to use srt, you must mux the English subtitles into ³ ³ the MKV container and enable this stream by default. ³ ³ 7.2.2) If you chose to use vobsubs, and the foreign parts are not ³ ³ available on a separate stream, but only embedded/flagged on the ³ ³ full subs, a forced only stream must be provided. It must be muxed ³ ³ into the full subpack, with the exception of DVD forced subs that ³ ³ can also be provided as a separate idx/sub set. ³ ³ 7.3) In all other cases it is recommended to mux srt subtitles into the MKV ³ ³ container. Packing them separately is also allowed. ³ ³ 7.4) Vobsubs are NOT allowed to be muxed into the MKV container. ³ ³ 7.5) Subtitle files must have identical filenames to the video file, with ³ ³ the exception of separate forced idx/sub subset from DVDs that should ³ ³ be tagged *.forced. ³ ³ (i.e. Movie.2013.720p.BluRay.x264-group.forced.idx) ³ ³ 7.6) Vobsubs from BD sources must be resized to 720x480 or 720x576. This ³ ³ can be achieved using BDSup2Sub/BDSup2Sub++. ³ ³ 7.7) External subtitles MUST be packed in a RAR file with the best ³ ³ compression available: <video-name>.subs.rar = ³ ³ [ <video-name>.idx + <video-name>.rar(packed <video-name>.sub) ] ³ ³ This RAR file must be placed in a directory named 'Subs' along with ³ ³ a SFV file containing standard checksum information for that RAR. ³ ³ The subtitles must not be packaged in the main RARs for the release ³ ³ and the RAR file containing the subtitles must not be listed in the ³ ³ main SFV for the release. ³ ³ 7.8) There must only be one set for all the included subtitles. ³ ³ VobsubMuxer can be used to merge VobSubs. ³ ³ Point 7.2.2 is the only case this rule can be ignored. ³ ³ 7.9) Hardcoded subtitles are only permissible when present in the source. ³ ³ If the subtitles overlay both active video and matting (black bars), ³ ³ cropping to the bottom of the subtitles is permissible, and an equal ³ ³ amount of matting shall be left at the top. If the burned subtitles ³ ³ overlay only matting, they must be OCR'ed and cropped out. ³ ³ 7.10) English subs must be synced with the video. ³ ³ 7.11) Foreign releases (non-English spoken) lacking English subtitles MUST ³ ³ be tagged with the spoken language. Releases with English subtitles ³ ³ MUST NOT be tagged with the spoken language. A release containing ³ ³ English subtitles after a foreign-tagged release is not considered a ³ ³ dupe, regardless of whether or not the foreign-tagged release has ³ ³ English subs. ³ ³ 7.12) Only Retail subtitles are allowed. Fan/Custom subs are not allowed. ³ ³ Use INTERNAL. ³ ³ 7.13) Multi-language subtitles cannot be used as a basis for a dupe. Use ³ ³ INTERNAL. ³ ³ 7.14) SUBBED tag MUST be used on hardsubbed releases. This only applies to ³ ³ fully non-English movies. ³ ³ ³ ³ [ Packaging ] ³ ³ 8.1) Must be packed with RAR files, broken into a max of 99 volumes. ³ ³ Allowed rar sizes: 15,000,000 bytes and 50,000,000 bytes. ³ ³ 8.2) Filenames (even the subpack rar file) MUST be unique (to avoid dupe). ³ ³ 8.3) Compressed RARs or Recovery records are not allowed. ³ ³ 8.4) Must have an SFV for main RARs and another for subtitle RARs ³ ³ (if applicable). ³ ³ 8.5) Must have an NFO. ³ ³ 8.6) It is recommended to include the following information in the NFO: ³ ³ Group name ³ ³ Title ³ ³ Release date ³ ³ CRF Value ³ ³ IMDB / Amazon / TVRage / Any other release relevant iNFO site link ³ ³ Number of rars (e.g.30x15MB) or total video size ³ ³ ³ ³ [ Samples ] ³ ³ 9.1) It is required to include a 50-70 seconds sample for each release. ³ ³ 9.2) The sample must have a unique filename and be in a separate directory ³ ³ named 'Sample'. ³ ³ 9.3) It MUST be cut from the video, NOT encoded separately. ³ ³ 9.4) Source samples are required for any rip that is deemed questionable, ³ ³ e.g. when no clean IVTC is possible on the source, or all ghost frames ³ ³ can't be removed etc. See 'Framerate / Filters' section above. ³ ³ ³ ³ [ Propers / Repacks / Rerips ] ³ ³ 10.1) Propers are only permitted in the case of a technical flaw in the ³ ³ original release (e.g. bad IVTC, interlacing, wrong CRF value). ³ ³ 10.2) Propers MUST include a note in the NFO file detailing the reason. ³ ³ 10.3) Releases not globally nuked MUST include a sample or screenshots from ³ ³ the original release that demonstrates the flaw in the release sample ³ ³ dir. ³ ³ 10.4) Qualitative propers are not allowed, nor are propers based on ³ ³ decisions made by a ripper, where it is allowed. Use INTERNAL. ³ ³ 10.5) Releases containing hardcoded subs may be followed by non-hardsubbed ³ ³ video. Original release SHALL NOT be nuked. ³ ³ 10.6) Propering a release when a working fix is released is not allowed. ³ ³ 10.7) Propers for XViD releases can only be done if the release in question ³ ³ violated the XViD rules in effect at the pre time of the release. ³ ³ Propers must be done respecting the current SD-x264 ruleset. ³ ³ 10.8) Detailed reason must be included in the NFO for all repacks and ³ ³ rerips. ³ ³ ³ ³ [ Special Movie Editions ] ³ ³ 11.1) Allowed: DC, EXTENDED, UNCUT, REMASTERED, UNRATED, THEATRICAL, ³ ³ CHRONO, SE (or any other special edition). ³ ³ 11.2) Special Edition releases with the same runtime as previously ³ ³ released versions of the movie will be considered dupes. ³ ³ 11.3) Shorter cut version of a movie after a longer version was released is ³ ³ allowed (e.g. THEATRICAL), and MUST be mentioned in the dirname. ³ ³ 11.4) Remastered releases after the original have been released are allowed ³ ³ and must be tagged REMASTERED. ³ ³ 11.5) Extras released in a special movie edition cannot be used as a basis ³ ³ for a dupe, unless released separately and are not dupes of previous ³ ³ releases. ³ ³ 11.6) Homemade sources are not allowed. ³ ³ 11.7) NOTE: PAL - NTSC length differences come from the number of frames ³ ³ per second and not extra footage. ³ ³ ³ ³ [ WS vs. FS ] ³ ³ 12.1) WS or FS tags on the release name are ONLY allowed in case of a rip ³ ³ with a different AR existing. ³ ³ 12.2) A WS release after a FS release (and vice versa) requires proof that ³ ³ the new release contains more picture area than the original release ³ ³ (provide sample from the original release or JPG screenshot of the ³ ³ same frame in both releases showing additional area). A release not ³ ³ documenting additional picture area is considered a DUPE. ³ ³ 12.3) Wider wide screen where more of the original source is visible is ³ ³ valid and not considered a dupe but must be tagged as WS not PROPER. ³ ³ Original release must not be nuked. Provide proof as listed above. ³ ³ 12.4) Letterboxed DVDs are not considered FS even if the aspect ratio ³ ³ flagged on the disc is 4:3; only active picture area must be ³ ³ considered. ³ ³ ³ ³ [ Directory and File Naming ] ³ ³ 13.1) Mandatory directory format: ³ ³ Movie.Name.YEAR.<PROPER/READ.NFO/REPACK>.<BDRip/DVDRip>.x264-GROUP ³ ³ TV.Show.SxxExx.<PROPER/READ.NFO/REPACK>.<BDRip/DVDRip>.x264-GROUP ³ ³ 13.2) ALL movie releases must include production year in the directory name.³ ³ 13.3) TV shows that have a matching name to a previously released show must ³ ³ either use a country tag, if different (US, UK, etc) or a production ³ ³ year tag. ³ ³ 13.4) Use DVDRip for DVD sources, BDRip for BD sources, etc. ³ ³ 13.5) DO NOT indicate ripping method, DVD/BD/X264 release date, genre, ³ ³ audio that was used or anything else. (Use the NFO for that) ³ ³ 13.6) Movie distribution tags e.g. FESTIVAL, STV, LIMITED or TV (TV tag is ³ ³ used for TV movies only) are allowed and must be used wisely and ³ ³ correctly. ³ ³ 13.7) READ.NFO tag is allowed, but shall not be abused. ³ ³ 13.8) Other permitted tags are: WS/FS (rules above), PROPER, REPACK, RERIP, ³ ³ REAL, RETAIL, EXTENDED, REMASTERED, RATED, UNRATED, CHRONO, ³ ³ THEATRICAL, DC, SE, UNCUT, INTERNAL, DUBBED, SUBBED, FINAL, ³ ³ COLORIZED. ³ ³ 13.8.1) Use RERIP for ripping issues and REPACK for packing issues. ³ ³ 13.8.2) RERIP's/REPACK's must use different file names from the ³ ³ previous release. ³ ³ 13.9) Acceptable characters in naming a directory include (NO spaces or ³ ³ double dots/slashes - single dots/slashes ONLY): ³ ³ ³ ³ ABCDEFGHIJKLMNOPQRSTUVWXYZ ³ ³ abcdefghijklmnopqrstuvwxyz ³ ³ 0123456789.- ³ ³ ³ ³ [ Proof ] ³ ³ 14.1) ALL retail (including R5) releases MUST now include source proof in ³ ³ the following way: ³ ³ Photograph (not scan) of the actual physical disc (printed side) ³ ³ with a group tag in JPEG format. The image must be good quality with ³ ³ disc details clear and readable. Small portions containing sensitive ³ ³ information may be blurred or blackened. ³ ³ 14.2) The proof picture(s) must have unique filenames and be in a separate ³ ³ directory named 'Proof'. ³ ³ 14.3) Cover scans and m2ts/vob samples may be added but DO NOT count as ³ ³ sufficient proof. ³ ³ 14.4) Releases that fail to pre with such proof are to be considered a nuke ³ ³ and can be propered. Proofixes later than 4 hours from pre (if a ³ ³ proper has not been pred during that time) will not be accepted. ³ ³ 14.5) For TV series one of the following is allowed: ³ ³ a) Include a proof image with all the discs in the first pred ³ ³ episode of the set. ³ ³ b) Include a proof image of the relevant disc in every episode of ³ ³ the set. ³ ³ c) Include a proof image of the relevant disc once in one episode of ³ ³ your choice from that disc. In this case you MUST mention in all ³ ³ the relevant NFOs the release name where proof can be found. ³ ³ d) Include a proof image of all the discs in every episode of the ³ ³ set. ³ ³ 14.6) It is ESSENTIAL to make sure EXIF metadata is removed from your image.³ ³ 14.7) As a transitional measure, VOB source proof instead of picture proof ³ ³ will be allowed for titles that match ALL of the following conditions:³ ³ a) Come from a DVD source. ³ ³ b) Retail date of the DVD is before the date this document is pred. ³ ³ c) The pre is NOT iNTERNAL. ³ ³ ³ ³ [ Source Related Notes ] ³ ³ 15.1) Re-encoding material of any transcoded source is forbidden. ³ ³ 15.2) Non-studio audio must be tagged accordingly, e.g. LINE audio. ³ ³ 15.3) Releases provided with studio audio do not dupe releases with ³ ³ non-studio audio. The reverse does not apply. ³ ³ 15.4) The use of sources like CAM, TS, TC, Workprint, SCREENER, Laserdisc, ³ ³ etc. MUST be tagged with the source in the dirname and must adhere ³ ³ to ALL the rules of this document, except for the proof rules. Such ³ ³ releases are not considered retail however, so retail DVD or BD rips ³ ³ pred after are not to be considered dupes. ³ ³ 15.5) Screeners must be clearly marked in the directory name and the NFO ³ ³ must contain presence of studio watermarking, black&white scenes and ³ ³ counters or lack thereof. ³ ³ 15.6) SD WEBRips from sources that offer SD downloads such as iTunes must ³ ³ follow this ruleset without reencoding where possible. HD downloads ³ ³ must be reencoded. ³ ³ 15.6.1) WEBRips that are "capped" such as Netflix, Amazon VOD, etc must ³ ³ follow TV rules. ³ ³ 15.6.2) Proof must be a screenshot of the download in progress. ³ ³ 15.6.3) BDRip/DVDRip can be pre'd after WEBRip - WEBRip is NOT allowed ³ ³ AFTER BDRip/DVDRip. ³ ³ ³ ³ [ Internals ] ³ ³ 16.1) INTERNALS must follow all rules stated in this document and are exempt³ ³ from CRF rules and certain conditions explicitly mentioned throughout ³ ³ the rules. ³ ³ 16.2) INTERNALS are not exempt from proof rules. ³ ³ 16.3) Other codecs and containers are allowed for experimental purposes. ³ ³ 16.3.1) XviD has been superseded. XviD releases must be kept INTERNAL. ³ ³ 16.4) Dirfixing a release to INTERNAL must not be done to avoid a nuke ³ ³ and the release will remain nuked. ³ ³ 16.5) INTERNAL must also be used for any releases that have already been ³ ³ pred as XViD. Non-internal codec dupes are not allowed. ³ ³ ³ ³ [ Changelog ] ³ ³ ³ ³ Rev1.1 - Fixed the resizing examples ³ ³ ______ ______ ³ ³ /\ \ / /\ ³ ÃÄÄÄÄÄÄÄÄ__/ \_____\ÄÄÄ/ Üßß ß Üßß ÛßÜ Ûßß ÛßÜ \ÄÄÄ/_____/ \ÄÄÄÄÄÄÄÄÄÄÄ´ ÃÄÄÄ Ä /\__\ / / Ä((ÄÄ ßÜ Û Û Û Û Û Ûß Û Û ÄÄ))Ä \ __\ /__Ä Ä ÄÄÄÄ´ ÀÄÂÄÄÄÄÄ\/__//_____/ÄÄÄÄÄ) ßß ß ß ß ß ßßß ßß (ÄÄÄÄÄ\_/__/\/__/ \ÄÄÄÄÄÂÄÙ ./' Ä /\__\ \__\/ \__\/ Ä `\. ³ Ä \/__/ Ä ³ ³ ³ ³ 0x539 aAF AEN AFFECTION AFO ALLiANCE AMIABLE ANiHLS AN0NYM0US ARCHiViST ³ ³ ³ ³ ARROW BALKAN BAND1D0S BiGGiESmaLLz BiQ BOV COCAIN Counterfeit DAA DeBTViD ³ ³ ³ ³ DEiMOS DEMAND DERANGED DOCUMENT DoNE DRAWER EMX FARGIRENIS FFNDVD FiHViD ³ ³ ³ ³ FLAiR FRAGMENT FUtV GECKOS GORE GxP HAGGiS I_KnoW iBlade iFH iFPD iGNiTiON ³ ³ ³ ³ IGUANA iNGOT KEBAP KiDDoS KYR Larceny LiQUiD LPD Ltu NCAXA NODLABS ³ ³ ³ ³ NOSCREENS OSiRiS OSiTV PFa PHOBOS PSYCHD QCF RCDiVX RedBlade REWARD ROVERS ³ ³ ³ ³ RUNNER RUSTED SAiNTS SCREAM SDTV SFM SMOKEY SPARKS SPRiNTER TASTE TASTETV ³ ³ ³ ³ VETO VH-PROD WaLMaRT WASTE WiDE XSTREEM ³ ³ ³ ³ o ³ ³ o /Ä\ ³ ³ () / \ () ³ ÃÄ o . /_(O)_\ . o Ä´ ³`\____________ / _________ \ ____________/'³ : ))________ / / \ \ ________(( : . /______ / /________ _/ ÄÄÄÄÄÄ Ä \_ ________\ \ ______\ + )_______( (__\_(__/ / S i L K \ \__)_/__) )_______( + . . + )_) :: /_______________\ :: (_( + ' ') (` ` + . + + ___ ( pH7 & 0ND ) ___ + /__/\ . . /\__\ . . . _ \__\/ \/__/ _ . . . \_ . . . _/
|